Codes and Conventions
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Findings
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Textual Evidence
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Stock Settings
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We are introduced to the setting,
where the film is starting off. The name of the city; Budapest was introduced
to us first on a black screen. Then a few seconds later we saw the actual
city. This method may have been used to show the audience how the place where
its set is of some importance. It’s part of the plot. It also draws their
attention to the scene.
|
0.55 – shows the name of the city in
white, on a black background. Contrasting colours have been used to make it
stand out.
0.56 – we are introduced to the city.
|
Stock Characters
|
We are introduced to the characters
mid-way through a chase scene. The first character runs out onto a rooftop
with two more men behind him. The two men behind are shooting, suggesting
they are the villains. However the first character which was shown shoots
back, this makes us (the audience) unsure of who is who, it creates mystery,
we are trying to figure out who is who and what is actually going on. We are
then introduced to the final character in that scene the ‘assassin’, we first
see her walking toward the hero character, who is carrying the important
files. The hero character gets a message on his phone – which we later find
out that its actually warning him about her – when he looks up, she shoots
him three times before rushing for the files, taking them and walking away
|
1.15 – we are introduced to the first
character. Who we think is the hero.
1.21 – we are introduced to the two
men who run out after the first guy, and shoot. Making us think they are the villains.
1.51 – we are introduced to yet
another villain. She shoots the hero character who is holding the important
files.
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Themes
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The theme comes through the first
scene almost immediately as the characters are introduced. The running, shooting
and jumping of buildings is what we typically expect to see in an action
movie. The non-diegetic music in the background has a low tone and is fast
pace, it gives connotations of danger, and it makes us feel more alert, like we
need to pay more attention. also, the fact that they are on top of a building,
carrying out an action sequence, allows the audience to be able to differentiate
between this genre and others.
|
1.21-1.23 – two men are chasing a guy
whilst at the same time shooting at him.
1.22 – one of the men jumps of the
building. He turns around and starts shooting at the others.
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Narrative
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The first character we are introduced
to, we are slightly confused as to who he is, hero or villain. This draws the
audience in, it makes them feel the need to find out more about who they are.
Towards the end of the scene we are introduced to the villain, the woman is
seen walking toward the first character, she then shoots him, takes his stuff
and leaves. The camera zooms in to the man’s phone where we can see the
picture of the woman, where on top we can clearly see that it says ‘assassin’.
|
1.15 – we are introduced to the first
character as he bursts through a door leading to the roof of a building
2.09 – we see the woman’s image on the
phone screen showing the audience she is the villain, the ‘assassin’
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Iconography
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The first character shown in the scene
activates a small device in his hand which he later throws off the building
as he jumps, when he is near the ground the device expands into a big air
filled cushion, to break his fall. We also see a lot of use of guns, every
character we see in the sequence is either carrying or shooting a gun. All of
these props have been used to show the genre of the movie. They are typical
action movie props, very high tech, complicated and small which somehow turn
into a bigger object.
|
1.17 – the first character activating
the device
1.23 – the man throws the same device
over the edge of the building
1.21 – the two men using their guns
and shooting.
|
Wednesday, 18 January 2017
Research into openings of action films: Mission: Impossible - Ghost Protocol
Amirah also wrote about and analysed the features of 2011's Mission: Impossible - Ghost Protocol's opening, providing relevant evidence, as follows:
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